Recognising Sexual Harm

We all know sexual harassment is wrong. Most of us have been taught how to stop it, and how to address it when we can’t.

But what if we struggle to recognise it in the first place?

I was invited to the FeKK Film Festival in Ljubljana to speak about #MeToo and sexual harassment in film festival environments. The below is an abridged version of what I shared during the workshop. Most violations are carried out by men, which is why I use he/him in addition to they/them. But if it still needs saying: not all men commit sexual violations, not all perpetrators are men, and not all victims are women.

Click here to cut straight to Five things I want people to know about sexual harm in professional contexts

 
 

A decade after the #MeToo movement began, sexual harassment and other forms of unwanted sexualisation or abuse remain widespread. In the film and television industry in particular, freelance work, lack of official reporting lines, informal networks, frequent travel, and overlaps between work and social events can make people especially vulnerable.

A survey conducted by USA Today together with Women in Film and Television and the National Sexual Violence Resource Center a few years ago stated that 94% of women in Hollywood experience sexual harassment or assault.

The behaviour is varied: Nearly 90% of women reported “unwelcome sexual comments, jokes or gestures”. and more than two-thirds said they were touched in a sexual way. One in five women reported that they have been forced to do a sexual act. and 10% said they were unexpectedly ordered to appear naked.

The most serious offences are, thankfully, the least common. But it is still far too common. And because it comes in many different forms, it can be difficult to recognise.

Helpfully, the EU’s Recast Equal Treatment Directive (2006/54/EC) — later transposed into the UK’s Equality Act 2010 — gives us a workable legal definition for sexual harassment:

unwanted verbal, non-verbal or physical conduct of a sexual nature that has the purpose or effect of either violating a person’s dignity, or creating an intimidating, hostile, degrading, humiliating or offensive environment for them.

When we think about the type of person who commits sexual harassment, we can construct an easy narrative. Maybe there have been rumours, or maybe you just have a feeling. He abuses power, intimidates those around him, and takes — or attempts to take — sexual gratification even when he’s not entitled to it, because he is a “bad person”.

But there are other stories.

In those stories, you know his good qualities, and he knows yours. You like spending time with him — perhaps even where your professional and social sides blur together: coffee, networking, industry events, wrap parties. And, yes — maybe there was flirtation. Maybe there was alcohol. Maybe you were wearing a sexy dress.

But you’re safe. Because you’re not working with a dangerous person. 

And yet sometimes, even “good people” can cause profound harm.

People whose visions we share, and whose creative instincts we respect.
People with whom we’ve laughed, and in whom we’ve confided.
People we may still, maddeningly, care about.

One of the hardest things I’ve had to learn is that we don’t need to characterise someone as a villian in order to take the harm they’ve caused seriously. And it wasn’t until I went through what I did that I realised: even a lawyer can suffer from logical fallacies.

And with sexual trauma or any sort of abuse, that logical fallacy can look something like this:

“He isn’t a bad person.”

Therefore

“He couldn't have meant to hurt me.”

Therefore

“Perhaps I misunderstood...”

Therefore

“Perhaps nothing happened.”

Therefore

“I wasn’t sexually violated.”

But “he isn't a bad person” and “I was sexually violated” are not mutually exclusive. Both statements can be true.

The question to answer isn’t whether I liked him

It isn’t whether I flirted, enjoyed drinks together, or wore a sexy dress. 

It isn’t even whether or not I enjoyed the attention.

The only relevant questions are about what happened,
and whether I consented to that.

 
 

Five things I want people to know about sexual harm in professional contexts

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